Bach, J.S.: Sechs Sonaten und
Partiten für Violine solo/Six
Sonatas and Partitas for
Violin Solo BWV 1001-1006
(urtext)

399kr

Finns i lager

Artikelnr: HN356


Beskrivning

ed.: Rönnau, Klaus


Bach’s six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones of musical literature. Bach skillfully employs the resources of the violin to produce genuine polyphony in some sections through the use of arpeggiated chords and double stops. The culmination of these achievements is the famous Chaconne from the second Partita, which achieves great musical density while presenting the violinist with previously unheard-of technical challenges. The part marked by Wolfgang Schneiderhahn accommodates practical use and includes suggestions for accords and arpeggios.

Bach, J.S.: Sechs Sonaten und Partiten für Violine solo/Six Sonatas and Partitas for Violin Solo BWV 1001-1006 (urtext)

399kr

Finns i lager

Artikelnr: HN356


Beskrivning

ed.: Rönnau, Klaus


Bach’s six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones of musical literature. Bach skillfully employs the resources of the violin to produce genuine polyphony in some sections through the use of arpeggiated chords and double stops. The culmination of these achievements is the famous Chaconne from the second Partita, which achieves great musical density while presenting the violinist with previously unheard-of technical challenges. The part marked by Wolfgang Schneiderhahn accommodates practical use and includes suggestions for accords and arpeggios.

Bach, J.S.: Sechs Sonaten und Partiten für Violine solo/Six Sonatas and Partitas for Violin Solo BWV 1001-1006 (urtext)

399kr

Finns i lager

Artikelnr: HN356

Visat 84 gånger


Beskrivning

ed.: Rönnau, Klaus


Bach’s six violin soli have come down to us in a particularly beautiful fair copy made by the composer himself. They, along with the six cello suites, are regarded as musical and technical milestones of musical literature. Bach skillfully employs the resources of the violin to produce genuine polyphony in some sections through the use of arpeggiated chords and double stops. The culmination of these achievements is the famous Chaconne from the second Partita, which achieves great musical density while presenting the violinist with previously unheard-of technical challenges. The part marked by Wolfgang Schneiderhahn accommodates practical use and includes suggestions for accords and arpeggios.